
Photographica Pages
An online guide to collectable cameras and related stuff
Ihagee Exakta Real
The division of Germany after the war isolated the original shareholders and
heirs to Johan Steenbergen from Ihagee. lawsuits were filed over the ownership
of the trademarks. In 1959 Ihagee Kamerawerk AG was founded in Frankfurt. In
1962 the name was changed to Ihagee-Exakta Photo AG, Munich. The company
relocated once more, this time to Berlin.
The Exakta Real was first shown at Photokina in 1963. Production did not
begin until 1966, and was stopped the next year. Serial numbers run from about
001 to 2500, making it the lowest production model of 35mm Exakta produced.
The Exakta Real shared little with the East German models. The bayonet was
widened from 38mm to 46mm. Older lenses could be mounted with the use of an
adapter. Two shutter releases were provided on the front of the camera, one for
the older automatic lenses. The new lenses had internal diaphragm coupling.
Shutter speeds were 1/1000 to 2 seconds. It came finished in chrome or black.
The camera lacked a built in exposure meter, although a metered prism was
announced yet never marketed.
A selection of lenses were offered for the Exakta Real.
Schneider
28/4 Curtagon
35/2.8 Curtagon
50/1.9 Xenon
50/2.8 Xenar
135/3.5 Tele-Xenar
80-240/4 Zoom Tele-Variogon
Schacht
35/2.8 Travegon
50/1.8 Travelon
50/2.8 Travenar
50/2.8 Travenar Macro
90/2.8 Travenar
135/3.5 Travenar
200/4 Tele-Travelon
In addition a waist level finder, bellows, extension tubes, a
microscope adapter and 2X and 3X Schacht teleconverters were marketed.
The failure of the Exakta Real in the marketplace was likely due
to the high cost in comparison with the Japanese models. The Exakta was more
expensive than the Nikon Nikkormat FT, and within 10% of the cost of the Asahi
Pentax Spotmatic (with comparable normal lenses). Both the Pentax and the Nikon
had built in meters, where the Exakta did not. And both the Pentax and the Nikon
were brands with good reputations, and a good following. The Exakta name had
suffered a decade long slide in the marketplace, and was no longer associated
with state of the art photo equipment.